An eastern city man arrived in Old Pueblo to speak.
Will you read on if I utter what he professed to be,
or, least we judged, not to be?
I’ll take the chance -- a poet.
His name sounded like a south sea island,
Maui, or Bali, ahhh, no, no -- Mali.
Now, Mister Mali was a Letterman, more in the mode of the nighttime host than the singers or a campus jock.
His letters though, formed words that arrived in specific order.
An order that held one’s attention bound, bound as tightly as a body wrapped with duct tape smeared in super glue.
Words that moved -- or not.
Words that spun fasterthanSupermantryingtosaveLois,
where they arrived in a flash only to ricochet ‘round the head.
Words that -- c r a w l e d - in - s l o w - m o t i o n -- penetrating your mind a Technicolor, animated, Cinemascope, surround-sound, four-hour feature film.
On the spot he wrote a piece about a tractor guy,
then spoke of his Dad, the Yalie, who never attended the Ivy Tower of bushy presidents,but organized the keys to his glorious own universe.
Dining one night, Mali mentioned to his host how much he made teaching,while at the same time enlightening the clod how little -- money mattered when making a difference.
He told about tapping his dog on the snout, tough Love,
then heaping praise on a silly Lilly.
She a flower of an eighth-grade child who couldn’t,
but finally did, like, make up her mind.
Mali’s story about the student whose spell checker failed to correct and even added to the mess the boy made of his report entitled, A Tail of Two Tities, produced more unbridled laughter than the best-crafted,
perfectly delivered Leno monologue.
If, by chance, you were there -- you know of what I speak.
If not, then you may never appreciate this sentiment:
I just loved you, Taylor Mali. Thank you for sharing you.
And thanks, Society of Southwestern Authors for inviting an eastern city man to the Old Pueblo -- to thrill.
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